| 
 
 technology helps to fill, to bridge ... ...
to overcome the insufficiency emerging from absence the
media are not only masks mappings models depicting or simulating reality
but also measuring
chains constructing reality 
 
 
 
 a
mad acces to the world   
 raising and complicating the symbolic presence in
an interactive media, the work is realized/produced under the influence
of the observer the
interactive work has no stable material form it
changes continually the
relation between the components -crafting image,words and sound-
is continously shifting what
began with perspective _the relativization of the world by the location
of the observer_ the
electronic world tends to become a mere interface between inner observer
and objects and
as intersection between observer and objectsthe technical
world increasingly becomes the subject of artificial manipulations by
all forms of absence, leave, separation, dissapearance, interruption, withdrawal
or loss fragmentation
of modern life 
 they have never been a place of security and intimacy the house of antiquity was not a place of rustic comfort, but on the contrary a place for alienation and the stake of tragedy intimacy is something we project on "home" we do not dwell and never did therefore our nostalgia is a side-effect of our constant nomadizing in the big city of our transit ports, our transfer traffic, our constant leaving and travelling on we are doomed to an exile in the cosmos an
exile which reduces earth to a mere spaceship and matter to the carrier
of inmaterial information | |
|  | . | 
|  straddle3 
plus some cut_up's from peter weibel 'new space in the electronic age'
and the V2 manifesto for unstable media ' | |